næsby.net

crossconnectmag:

Optic fiber Art by Astrid Krogh

Astrid Krogh works mainly with textile and light in an intriguing interplay with patterns, ornamentation and textile craftsmanship. Usually, she works on a large scale that gives the patterns and the light a physical presence. She strives to challenge and apply new materials and technologies in her field, and her works usually contain an element of change or subtle surprise. Natural phenomena, light and the inherent change in all living things over time are recurring features in her work. 

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Selected by Very Private Art

(via crossconnectmag)

crossconnectmag:

Artist: Bill Thompson

polyurethane blocks

Nothing better than quoting Bill: 

“ I make no apologies for embracing the ideal of natural beauty and like many artists, don’t consider myself to be aligned with any particular movement. If I can create a unique and evocative object – one that offers a self - charging visual energy source – then I am content. “

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Selected by Very Private Art

(via crossconnectmag)

supersonicart:

Jim Darling’s “Departure” at C.A.V.E. Gallery.

On display at C.A.V.E. Gallery in Los Angeles, California until July 24th, 2016 is artist Jim Darling’s (Previously on Supersonic) solo exhibition “Departure.”

For this new collection, Darling continues to explore the beauty of fluid landscapes by creating captivating abstractions of aerial views of the patterned earth below.  Close attention to the work reveals the artist’s fascinating unique and skilled technique.  The fluid layering of paint is created with a rigorous process, yet appears subtle and organic.  The views are wonderfully dynamic.  Each time the viewer explores Darling’s work, one will discover interesting nuances.  The paintings inspire the imagination as one peers onto the playful and mesmerizing vistas.

crossconnectmag:

Non-linear sculptures by Julian Wild

Julian Wild’s sculptures are supposedly abstract but strongly figure a paranoia emanating directly from the artist’s own apprehension toward the virtues of linearity. We can witness this uneasiness in a complex web, deriving from a singular orientation, parallel limbs threaten to converge but resist, each obeying its own singularity. A spectrum of phosphorescent colour flows along the object’s outgrowth, an amorphous rash indicative of its restless mutations.

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Selected by Very Private Art

(via crossconnectmag)

theartofanimation:

Nicholas Stathopoulos  -  http://www.redbubble.com/people/nickstath  -  https://www.instagram.com/nick_stath  -  http://ink361.com/app/users/ig-23752725/n_stath/photos

(via dystopianfuture)